The Meaning Behind the Song...

[MOHLovesAlaska]

 This is a post that I will do every day (with exceptions when times are unavoidable when I cannot post). I will post one song per day and explain the meaning of that song. I will also post where I received the information so you can check it out for yourself, I will also post a link for the song so you can listen to it... If you have a request that you would like to see posted you can either post it yourself or just leave your request here for me to post it for you...If you choose to do it yourself then please provide the information where you got it from...

The first song I'm going to do is of course my favorite overall...Enjoy the read, as well as the song...

Foolish Games (LP Version)   by Jewel...

Jewel Kilcher, an American singer-songwriter known simply as Jewel, wrote and released her hit song “Foolish Games” in 1996, and it quickly became an international sensation. The hauntingly beautiful ballad stayed at the top of the charts for weeks, and its emotional lyrics and powerful melody resonated with millions of listeners worldwide. So, what is the meaning behind this classic song? Let’s take a deeper look and explore the inspiration behind Jewel’s heartbreaking lyrics. 

“Foolish Games” is a song about love and heartbreak, about the pain of letting go of someone you love and the regret that comes with realizing how much you took them for granted. It’s a song that speaks to anyone who has ever been in love, anyone who has ever felt the sting of rejection, and anyone who has ever wished they could go back in time and do things differently. At its core, “Foolish Games” is a song about the risks we take in love, and how sometimes those risks can lead to heartbreak and regret. At the beginning of the song, Jewel sings about the uncertainty of love and how it can be both wonderful and terrifying at the same time. She confesses to her lover that she’s afraid of losing him and that she doesn’t know how to make their love last: Jewel wrote “Foolish Games” during a time of heartbreak in her own life. She was struggling in a tumultuous relationship with her then-boyfriend, and the song was a way for her to express her pain and frustration. In an interview with People Magazine, Jewel spoke about the inspiration behind the song, saying: “I was in an affair with a guy who wouldn’t commit, and I felt like I was doing all the sacrificing. Finally, I said, ‘I’m leaving.’ Once I did, he wanted me back so badly, but I didn’t go back because I knew I would just be sacrificing again. The song was about that. ”Jewel’s personal experience with heartbreak and betrayal is what gives “Foolish Games” its emotional depth and beauty. It’s a song that speaks to the universal experience of love, loss, and regret and resonates with listeners of all ages and backgrounds. Since its release in 1996, “Foolish Games” has become a timeless classic and one of Jewel’s most beloved songs. It has been covered by numerous artists, including Kelly Clarkson, and has been used in movies and TV shows like “Dawson’s Creek” and “Cold Case.” But its impact goes beyond just its popularity and success. “Foolish Games” is a song that has touched the lives of countless listeners, and has helped them to find solace and comfort amid their heartbreak. In her book “Never Broken,” Jewel reflects on the legacy of “Foolish Games,” saying: “I’ve had strangers come up to me and tell me how much that song meant to them, how it helped them through a difficult time or gave them the courage to leave a bad relationship. That’s the power of music, and it’s what makes writing and performing so meaningful to me. ”In the end, “Foolish Games” is a testament to the power of love and the pain that comes with it. It’s a song that speaks to the humanity in us all and reminds us that even in our darkest moments, there is always hope for a brighter tomorrow. (Source comes from The Meaning Behind The Song: Foolish Games by Jewel - Beat Crave) (Side Note: Jewel's book Never Broken is a great read, try it out for yourself...)

Take care and GOD bless...

[MOHLovesAlaska]

Good Monday afternoon dear friend, today we are going to get an Indepth look into the song 

Wings by Birdy.... Enjoy the song as well as the read...

 Based on her own account Birdy had quite an exceptional childhood, complete with plenty of free-flowing quality time alongside friends and family. And the premise behind this song has her reminiscing on those days and missing said individuals. Thus, the titular “wings” are basically symbolic of her desire to be back home with them. In other words, whereas the singer herself may be “in a foreign state”, unable to be with her loved ones physically, she is sending her heart and loving thoughts to them, nonetheless. Or another way of looking at it is that she’s reminding those individuals just how much they mean to her life. Basically, Birdy greatly misses her loved ones and is using this song to send them her love. 

Wings is the lead single from Birdy’s second album, which itself is entitled Fire Within.  And the Warner Music Group, in collaboration with Atlantic Records and 14th Floor Records, put the tune out on 29 July 2013. This song is noted as being the most successful in Birdy’s catalog from her heyday of the early 2010s. For instance, it marks the highest she achieved on the UK Singles Chart, with the (acoustic version of the) song peaking at number eight on that list. And it is also her highest-scoring tune in Ireland. There, it actually achieved number one on the Irish Singles Chart. And for the record, at the time “Wings” came out she was only 17 years of age. The popularity of “Wings” has been buttressed by the fact that it has been used on the television show The Vampire Diaries. It was also used in the 2014 Colin Farrell flick Winter’s Tale. Another notable usage was in a commercial for the long-tenured Lloyd’s Bank in 2015 (celebrating their 250th anniversary). In fact, the aforementioned acoustic version, which became a hit in the UK, was derived from said commercial. Prolific music-video filmographic Sophie Mueller directed the official visual to this track.  In keeping with the theme of the song, it features a number of Birdy’s family members and loved ones. For example, Caitlin, her little sister and Becky, the singer’s bestie appear in the video. Additionally, it was filmed in a castle-like mansion called Pylewell House, which is located in Hampshire, England. (Source comes from "Wings" by Birdy - Song Meanings and Facts). 

Have a blessed day, take care and GOD bless...

[MOHLovesAlaska]

Good Wednesday afternoon dear friend... Today we are going to get an in-depth look behind the song that has no lyrics... But the meaning speaks for itself... Enjoy the song as well as the read... (Source comes from That Darkstar in Top Gun: Maverick—Was it Real? - FLYING Magazine)

Darkstar by Harold Faltermeyer, Lady Gaga, Hans Zimmer & Lorne Balfe.

"He's the fastest man alive," This line is uttered in Top Gun Maverick when Capt. Pete "Maverick" Mitchell achieves Mach 10 in the Darkstar—a reusable hypersonic, piloted aircraft that is ostensibly a creation of Lockheed Martin Skunk Works—note the Lockheed Martin logo of the Skunk on the tail of the aircraft in the movie.  I felt a surge of pride when I saw the familiar logo—my father worked at Lockheed Martin Advanced Development Projects—known as Skunk Works—for more than 30 years. Dad never told us what he did. He couldn't. He would go on work trips to “someplace in the desert.” We kids were taught to say, "Daddy builds rockets," when someone asked what our father did for work. 

Skunk Works—which got its name because the plant produced a strong unpleasant odor, especially on warm days—by definition is a place of secrecy. The skunk is the mascot of "Skunk Works," a term for Lockheed Martin Advanced Development that goes back to 1943 when engineer Clarence L. "Kelly" Johnson led a team in Southern California tasked with designing a jet for the military. Because manufacturing space was impossible to find because of the war, the team worked out of a rented circus tent set up next to a plastics manufacturing plant. According to a spokesperson from Lockheed Martin,  Paramount Pictures approached the aerospace company in 2017 with a request for technical expertise in the production of Top Gun: Maverick. "Lockheed Martin Skunk Works designed and produced a conceptual reusable, piloted hypersonic aircraft, referred to as Darkstar in the film," she said. The fictional Darkstar's lines evoke two other Lockheed Martin aircraft: the SR-71 Blackbird—SR stands for Strategic Reconnaissance— the now retired, super-fast design; and the Lockheed Martin F-35, also known as “the world's most advanced fighter jet.” 

FLYING was told not to confuse Darkstar with the SR-72, a concept referred to as the “Son of Blackbird,” which is a construct ostensibly suggested by the media in 2013, but never confirmed as a concept by Skunk Works. Darkstar is movie fiction, the spokesperson explained, saying, "Darkstar is a hyper-realistic aircraft concept designed specifically for Top Gun: Maverick. Hypersonic technology is progressing and the work being done across Lockheed Martin today is laying the foundation for a Reusable Hypersonic Vehicle, such as Darkstar, to one day be possible." The fictional aircraft was five years in the making. The development team took it seriously, keeping in mind "the shaping, materials, and components that must withstand heat and environmental stressors caused by high-speed flight." In addition, Lockheed Martin "helped design realistic flight gear, shared artifacts for the set, and arranged site tours and demonstrations to support the effort. The team provided insights to drive realism into the storyline, serving as consultants throughout filming," the company’s spokesperson said. Lockheed Martin has a webpage dedicated to information about Top Gun Maverick. There you will find more information about the project and a few of the Lockheed Martin designers who worked on it, identified only by their first names: Jim, Jason, Lucio, and Becky. Jim is credited with the conceptual design. Jason and Lucio handled the task of turning the conceptual designs into a realistic aircraft model with a working cockpit. Becky, a mechanical engineer, worked with the movie team to build the Darkstar vehicle, including the functional cockpit. Throughout the filming process, her job was to keep the model structurally sound. Jeremy Hindle, the movie’s production designer from Paramount, described Darkstar's design as "angry, mean, and insanely fast." In the movie, the Darkstar mission is never openly discussed. However, we are told that the government wants to pull the funding on the project because it hasn’t yet reached Mach 10. It is intimated that the test flight protocols—which set specific targets to reach and to go no farther than Mach 10—are short of Mach 9. Capt. Pete “Maverick” Mitchell bends the rules a bit to get “one last test flight.” Test flights involve a protocol where a target is set and achieved, but do not involve pushing the envelope. Maverick is cautioned not to make the flight—Mach 9 is 6,905.42 mph. The closest a piloted aircraft has come to that speed in reality is the SR-71 Blackbird, which reached Mach 3.3 or 2,193 mph. There is a dramatic sequence as Maverick dons his high-altitude flight suit and helmet as he prepares for the before-sunrise launch. The tension mounts as the aircraft climbs into the dawn sky, and the cockpit’s Mach number readout heads toward the targeted value. Is it possible to fly an aircraft as fast as Mach 9? "Operating in the hypersonic flight realm is difficult,” the Lockheed Martin spokesperson said. “The film depicts both a notional aircraft and a notional flight test scenario. The pathfinding work being done today is vitally important. The notional scenario in the film does not represent today’s work." 

This wasn’t the first time Lockheed Martin created a Darkstar. In the 1990s Lockheed Martin created the RQ-3 Darkstar, a high-altitude, unmanned aerial vehicle designed for endurance, not for speed. The UAV did its first flight in March 1996. The project was terminated in 1999 because the aircraft did not meet expectations. Three remaining Darkstar UAVs are in museums—one is at the Air Force Museum in Dayton, Ohio, one is at the Smithsonian Air and Space Museum in Washington, D.C., and the third is at the Museum of Flight in Seattle, Washington. Perhaps…someday. Just as the flying scenes in the original Top Gun inspired generations to become military aviators, this movie will also inspire future generations of engineers.

Have a blessed day... Take care and GOD bless...

[MOHLovesAlaska]

Good Thursday afternoon dear friend, today we are going to get a look at the meaning behind this 1964 classic song that was written by Simon & Garfunkle... I will also include a newer version that was redone by Disturbed... enjoy the music as well as the read...

The Sound of Silence (Acoustic Version) by Simon & Garfunkle. 

The Sound of Silence performed by Disturbed. 

In recent years, Simon & Garfunkel’s 1964 signature “The Sound of Silence” has been transformed from a folk-rock classic into a meme, made to soundtrack running jokes between the internet and the human race. Because of that, a new generation has been introduced to the iconic song, but they also may have missed out on its meaning, one that is just as important today as it was six decades ago. While it’s easy to get swept up in the tune’s haunting monotone and wispy melody – the perfect tune to set a dramatic scene – it’s easier to miss the song’s moral entirely. Now more than ever, “The Sound of Silence” is worth a revisit and a real honest listen. 

“The Sound of Silence” was penned by one-half of the folk duo, Paul Simon. The then-21-year-old fittingly found the song while alone in the darkness.“The main thing about playing the guitar was that I was able to sit by myself and play and dream,” Simon shared in an interview with Playboy (quote via Ultimate Classic Rock). “And I was always happy doing that. I used to go off in the bathroom, because the bathroom had tiles, so it was a slight echo chamber. I’d turn on the faucet so that water would run – I like that sound, it’s very soothing to me – and I’d play. In the dark.”

Hello, darkness, my old friend / I’ve come to talk with you again, the song begins against a pensive pluck of strings, mirroring Simon’s state at the song’s inception.

“The Sound of Silence” was released on the duo’s debut album Wednesday Morning, 3 A.M., but the acoustic album was initially a failure and led to Simon & Garfunkel disbanding for a spell, the former in pursuit of a solo career abroad and the latter in search of higher education. Unbeknownst to the two, “The Sound of Silence” had perked a few ears and was seeing a fair amount of airplay in certain regions. The song’s producer Tom Wilson decided to rearrange it, adding drums and electric guitars to round out the original acoustics, and in 1965, re-released “The Sound of Silence” as the song we know today. The new and improved tune was an immediate success, becoming an international No. 1 and leading to the regrouping of Simon & Garfunkel, a partnership that would go on to produce one of folk’s most enduring songbooks. 

Hello, darkness, my old friend / I’ve come to talk with you again, the song immediately grabs the attention, its words casting vague, but stirring imagery across the delicate acoustics. Because a vision softly creeping / Left its seeds while I was sleeping / And the vision that was planted in my brain / Still remains / Within the sound of silence

“Really the key to ‘The Sound of Silence’ is the simplicity of the melody and the words, which are youthful alienation,” Simon once explained the tune’s meaning to NPR (quote via Ultimate Classic Rock ). “It’s a young lyric, but not bad for a 21-year-old. It’s not a sophisticated thought, but a thought that I gathered from some college reading material or something.”While the songwriter chalks up the song’s popularity to its simple sing-ability, the song resonates with a number of people who have ever felt alienated and disassociated from their present society. What lives at the heart of the tune’s existential poetry is that collectively relatable feeling.“It wasn’t something that I was experiencing at some deep, profound level – nobody’s listening to me, nobody’s listening to anyone – it was a post-adolescent angst,” Simon continued, “but it had some level of truth to it and it resonated with millions of people.” The narrator has no one to talk to and the only thing that understands him is the darkness and his own loneliness. In restless dreams I walked alone / Narrow streets of cobblestone. But the song reaches beyond the perspective of a single narrator, a flash of light revealing a mass of people, humanity all seeking refuge in their own darkness and their own silence. 

And in the naked light I saw / Ten thousand people, maybe more / People talking without speaking / People hearing without listening / People writing songs that voices never share / No one dared / Disturb the sound of silence, the chilling verse plays, illustrating a near, all-too-real future in which interactions become all the more surface-level and indifference continues to grow.

“Fools,” said I, “You do not know / Silence like a cancer grows / Hear my words that I might teach you / Take my arms that I might reach you,” the duo sings a wake-up call to no avail. But my words like silent raindrops fell / And echoed in the wells of silence. “The Sound of Silence” comes to a close with a warning, pointedly calling out the all-consuming consumerism and using those already lost to it as an example of what’s to come if we continue to find solace in the silence. And the people bowed and prayed / To the neon god they made / And the sign flashed out its warning / In the words that it was forming / And the sign said, “The words of the prophets / Are written on the subway walls / And tenement halls / And whispered in the sounds of silence.”  “This is a song about the inability of people to communicate with each other,” Art Garfunkel can be heard perfectly summing up the song in the below performance. (Source comes from The Meaning Behind Simon & Garfunkel's "The Sound of Silence") 

Have a blessed day, take care and GOD bless...

[MariaPandora]

Hi @MOHLovesAlaska , I love this song (and Disturbed's version 100/10) and I agree, the message is timeless and maybe even more pertinent on current times, with social media making us more "connected" than ever but at the same time more distant than ever and how we end up idolizing "neon" gods or the  planned photos shown by influencers and treat them like an aspiration instead of enjoying the moment.

The message also reminds me of Stromae's carmen which talks about how we are very obsessed on "sharing" with other's through social media but we forget to connect and end up alone because of this. The video is also very interesting and clear even for those who don't speak French.

[MOHLovesAlaska]

@MariaPandora good evening dear friend, thank you for your friendly reply, and for your in-depth view as well... I also thank you for your great support as well... Have a great evening....

Take care and GOD bless...

[MOHLovesAlaska]

Good Tuesday morning dear friend... Today we will get an in-depth look at the meaning behind the song Midnight Special performed by CCR (Creedence Clearwater Revival) (Lyrics appearing in the song were first recorded in print by Howard Odum in 1905:) Enjoy the song as well as the read...

"Midnight Special", is a traditional folk song thought to have originated among prisoners in the American South. The song refers to the Midnight Special passenger train and its "ever-loving light."     

The song is historically performed in the country-blues style from the prisoner's viewpoint and has been performed by many artists. History Lead Belly, photographed by Alan Lomax in the 1940s. Lyrics appearing in the song were first recorded in print by Howard Odum in 1905: Get up in the mornin' when ding dong rings, Look at table — see the same **ahem** thing However, these lyrics are known to be floater lines, appearing in various African-American songs of that period, notably in the "Grade-Songs", which are about prison captains and have nothing to do with a train or a light. The first printed reference to the song itself was in a 1923 issue of Adventure magazine, a three-times-a-month pulp magazine published by the Ridgway Company.

In 1927 Carl Sandburg published two different versions of "Midnight Special" in his The American Songbag, the first published versions. The song was first commercially recorded on the OKeh label in 1926 as "Pistol Pete's Midnight Special" by Dave "Pistol Pete" Cutrell, a member of McGinty's Oklahoma Cow Boy Band. Cutrell follows the traditional song except for semi-comedic stanzas about Billy McGinty and Otto Gray, who took over as bandleader and manager when McGinty left the band, and "a cowboy band": Now, Mister McGinty is a good man But he's run away now with a cowboy band Refrain Now Otto Gray, he's a Stillwater man But he's the manager now of a cowboy band Refrain In March 1929, the band, now Otto Gray and the Oklahoma Cowboys, recorded the song again, this time with the traditional title using only the traditional lyrics. Sam Collins recorded the song commercially in 1927 under the title "The Midnight Special Blues" for Gennett Records. His version also follows the traditional style. He is the first to name the woman in the story, Little Nora, and he refers to the Midnight Special's "ever-living" light: Yonder come a Little Nora. How in the world do you know? I know by the apron and the dress she wears. In 1934, Huddie William "Lead Belly" Ledbetter recorded a version of the song at Angola Prison for John and Alan Lomax, who mistakenly attributed it to him as the author. However, Ledbetter, for his Angola session, appears to have inserted several stanzas relating to a 1923 Houston jailbreak into the traditional song. Ledbetter recorded at least three versions of the song, one with the Golden Gate Quartet, a gospel group (recorded for RCA at Victor Studio #2, New York City, June 15, 1940). John and Alan Lomax, in their book, Best Loved American Folk Songs, told a credible story identifying the Midnight Special as a train from Houston shining its light into a cell in the Sugar Land Prison. They also describe Ledbetter's version as "the Negro jailbird's ballad to match Hard Times Poor Boy. Like so many American folk songs, its hero is not a man but a train." The light of the train is seen as the light of salvation, the train that could take them away from the prison walls. It is highly reminiscent of the imagery of such gospel songs as "Let the Light from Your Lighthouse Shine on Me". Carl Sandburg had a different view. He believed the subject of the song would rather be run over by a train than spend more time in jail. Although later versions place the locale of the song near Houston, early versions such as "Walk Right In Belmont" (Wilmer Watts; Frank Wilson, 1927) and "North Carolina Blues" (Roy Martin, 1930) — both essentially the same song as "Midnight Special" — place it in North Carolina. Most of the early versions, however, have no particular location. Only one recording, collected by the Lomaxes at the Mississippi State Penitentiary, actually identifies the railroad operating the Midnight Special — the Illinois Central which had a route through Mississippi. Other versions "Midnight Special" Song by Creedence Clearwater Revival from the album Willy and the Poor Boys Released November 2, 1969, Recorded 1969, Fantasy Studios, Berkeley, California Genre Folk blues rock Length 4:13 Label Fantasy Songwriter(s) Traditional Producer(s) John Fogerty Creedence Clearwater Revival, whose version of the song appeared on their album Willy and the Poor Boys (1969). Country musicians Wilma Lee and Stoney Cooper had a top 5 country hit with their reworking of the song in 1959 as "Big Midnight Special". Only two versions of the song have reached the US Billboard Hot 100. Paul Evans recorded the highest-charting version of "Midnight Special," reaching number 16 in the winter of 1960. Five years later, Johnny Rivers' version reached number 20 in 1965. The Johnny Rivers version was used as the theme for the NBC music program The Midnight Special. The song has been recorded by Lead Belly, Big Bill Broonzy, Sonny Terry & Brownie McGhee, Odetta, Les Paul, Jesse Fuller, The Kingston Trio (who also recorded their song "The Tijuana Jail", which retains the same music but with new lyrics), Pete Seeger, Peter, Paul and Mary, Burl Ives, Big Joe Turner, Bobby Darin, Cisco Houston, Jimmy Smith, Mungo Jerry, Van Morrison, Little Richard, Buckwheat Zydeco, Otis Rush, The Spencer Davis Group, Lonnie Donegan, Eric Clapton, The Louvin Brothers, Long John Baldry, The Kentucky Headhunters, Willie Watson, Mischief Brew, Hoyt Axton, Odetta, Billy Bragg, and Creedence Clearwater Revival, among others. Jody Miller arranged her version and included it on her first album Wednesday's Child Is Full of Woe in 1963. Harry Belafonte's 1962 version is notable for containing the first official recording of Bob Dylan, who played harmonica. Harry Dean Stanton performs the song in the 1967 movie Cool Hand Luke. Creedence Clearwater Revival‘s 1969 version was used in the opening sequence of Twilight Zone: The Movie, in a scene featuring Albert Brooks and Dan Aykroyd enthusiastically singing along. ABBA recorded the song in 1975 for charity, as a part of a folk medley, along with "Pick a Bale of Cotton" and "On Top of Old Smokey". It was the B-side to their 1978 single "Summer Night City". The medley represents the group's only recording of material not written by Benny Andersson and Björn Ulvaeus after their breakthrough with "Ring Ring" in 1973. Dylan references a line from the song — "Shine your light on me" — on the second track, "Precious Angel", of his 1979 gospel album Slow Train Coming. The Dutch band Drukwerk also recorded a cover of "Midnight Special" for their 1982 album Tweede Druk, mixing English and Dutch vocals. Paul McCartney has performed it numerous times. It was the closing song on his 1988 album Снова в СССР and was performed on his 1991 appearance on MTV Unplugged, but was not included on the accompanying album. Mischief Brew recorded a cover of "The Midnight Special" for their 2006 album, Songs From Under the Sink. NEEDTOBREATHE used the song line "Let the midnight special shine a light on me" as a segue into their original song "Mercy's Shore" on their 2022 album Live From Bridgestone Arena. (Source comes from Midnight Special (song) - Wikipedia) (Side Note: The version I posted is my favorite version by CCR) 

Have a blessed day... Take care and GOD bless...

[AlyssaPandora]

Happy Tuesday to you. Thank you for sharing these details about the song Midnight Special, @MOHLovesAlaska. I'll have to take a listen today. 🎵

[MOHLovesAlaska]

Happy Tuesday to @AlyssaPandora my dear friend... Thank you as always for your support, I think you will like my favorite version of this Folk classic, but I'm sure you will try other versions as well, but regardless of what version you like, I'm sure you will like the song... I chose this song because the meaning was just way too interesting to pass up...

Have a great day friend, take care and GOD bless...

[MOHLovesAlaska]

Good early Thursday morning to you, dear friend. Here is a really nice lyricless song that I think you will love. I hope you enjoy the meaning behind the song. Enjoy the read as well as the music.

Song for Bob by Nick Cave & Warren Ellis.

Andrew Dominik’s The Assassination of Jesse James by the Coward Robert Ford (2007) is a majestic Western drama documenting the last months of legendary Wild West outlaw Jesse James. Based on the Ron Hansen novel of the same name and starring Brad Pitt and Casey Affleck in the roles of Jesse James and Robert Ford respectively, the contemplative film is a psychological study of the two main characters and their increasingly tense relationship. To a certain extent, the superb cinematography of the North American bleak winter landscapes by DoP Roger Deakins and an equally gorgeous slow-tempo soundtrack is almost taking center stage. Composed by Australian musician and author Nick Cave and long-time collaborator, multi-instrumentalist, and Dirty Three frontman Warren Ellis, the all-instrumental hypnotic score underpins the oppressive atmosphere throughout the entire film. It is the second time the pair collaborated on a major feature film, having already scored John Hillcoat’s 2005 “Australian western” The Proposition. If the whole soundtrack is based around short repetitive motifs on the piano or violin and arranged for a string ensemble, the music remains anchored in roots and instrumental rock music with the presence of an electric bass on several tracks. The result is a consistent and standalone piece of work, with many gems such as the elegiac “Song for Bob”:

An alternative Western devoid of the usual action scenes traditionally associated with the genre, The Assassination of Jesse James by the coward Robert Ford flopped at the box office on its release. But since then, the outstanding cast, stunning photography, and magnificent score have more or less conferred a cult status on the film. (Source comes from Nick Cave & Warren Ellis: Song for Bob | SpellbindingMusic)

Have a great Thursday, take care and GOD bless...

[MOHLovesAlaska]

Good Thursday afternoon dear friend. The next song that I have chosen for this post is a husband & wife duo. I think you will love this song by Chris Stapelton featuring Morgane Stapelton... Enjoy the song as well as the read...

Amanda (feat. Morgane Stapelton) by Chris Stapelton.

"Amanda" by Chris Stapleton and Morgane Stapleton delves into the introspective journey of a country boy as he reflects on his life and the passage of time. The lyrics reveal a poignant struggle with self-awareness and acceptance, encapsulated in the realization of aging and the changes it brings. The narrator expresses a sincere attempt to conform to societal expectations and norms, as highlighted by the phrase "It's an awful awakening in a country boy's life."

The recurring theme of Amanda as the "light of my life" suggests a central figure, possibly a woman, who holds immense significance. The mention of faith and the idea that it "should have made you a gentleman's wife" adds a layer of regret or unfulfilled expectations. This could imply a sense of longing for a different life path and the recognition of choices made.

The juxtaposition of the narrator's musical journey with the realities of aging and conformity is noteworthy. The pleasures of life in a "hillbilly band" symbolize the joy and authenticity found in pursuing one's passions. The narrator's journey with a guitar from adolescence to pushing forty emphasizes a commitment to his roots and a resistance to societal pressures to conform to age-appropriate behaviors.

In essence, "Amanda" explores the tension between personal passions, societal expectations, and the inevitability of change. The lyrics touch upon the universal themes of self-discovery, the passage of time, and the longing for paths not taken. The emotional depth and sincerity conveyed through the narrative make it a relatable and introspective piece, capturing the essence of the human experience.

Have a great evening friend... Take care and GOD bless...

[AlyssaPandora]

Thank you for this post, @MOHLovesAlaska. I'm always fascinated by the stories behind the songs. This is one of my favorite threads. 

[MOHLovesAlaska]

@AlyssaPandora good morning dear friend, thank you as always for your great support and friendly reply... I was going to post yesterday, but there were some tech difficulties, so I will come back later today and post another song with it's meaning... I hope to connect with you later, friend... Have a great day... Take care and GOD bless...

[MOHLovesAlaska]

Good Tuesday afternoon friend, today we are going to look at the meaning behind the song 10,000 miles by Mary Capin Carpenter... I will be adding her version along with my personal favorite by Lily Kershaw... Enjoy the music as well as the read... 

10,000 Miles (Album Version) by Mary Chapin Carpenter.

10,000 Miles with Lily Kershaw. (Personal favorite)

As a music enthusiast, I am always on the lookout for songs that touch my soul and resonate with my experiences. One such song that has had a profound impact on me is “10,000 Miles” by Mary Chapin Carpenter. I first heard this beautiful ballad on a lazy Sunday afternoon, and ever since then, it has held a special place in my heart. 

“10,000 Miles” is a song that beautifully encapsulates the emotions of love, longing, and distance. The lyrics speak of bidding farewell to a loved one and embarking on a journey that would take the singer 10,000 miles away. Despite the physical separation, the singer assures their true love that they will return. The line, “The rocks may melt, and the seas may burn, if I should not return,” stands out as a testament to the unwavering commitment and devotion between two souls despite the challenges they may face. In the third verse, Carpenter introduces the symbolism of a lonesome dove sitting on an ivy tree, weeping for her own true love. The dove becomes a powerful symbol of the singer’s own sorrow and longing. Just as the dove weeps for her love, the singer is filled with a profound sadness for their own separation. This melancholic imagery adds another layer of depth to the song, evoking emotions of empathy and understanding. Despite the sadness and distance portrayed in the earlier verses, “10,000 Miles” takes a more hopeful turn in the final verse. The singer implores their true love to come back and stay, expressing a desire for their reunion. The lyrics then acknowledge the importance of friendship, stating that if they had a friend on this earth, their true love would be that friend. This verse reinforces the theme of enduring love, resilience, and the significance of relationships in our lives. 

On a personal level, I relate deeply to “10,000 Miles” as it reminds me of a time in my life when I was separated from someone I cherished dearly. The song became an anthem of hope during that period, reminding me that love knows no distance and that true connections withstand the test of time.

First released in 1999 as part of her album “Party Doll and Other Favorites,” Mary Chapin Carpenter’s rendition of “10,000 Miles” beautifully captures the emotional depth of the lyrics. With her soothing vocals and thoughtful delivery, Carpenter brings the heartfelt emotions to life, leaving a lasting impact on anyone who listens. Over the years, “10,000 Miles” has been covered by several artists, but it is Carpenter’s version that remains the most iconic. Her expression of love, longing, and hope is a testament to the timelessness of this song. It serves as a reminder that distance may separate us physically, but love can bridge any gap, no matter how vast. As I reflect on the meaning behind “10,000 Miles,” I continue to find solace and comfort in its lyrics. Mary Chapin Carpenter created a masterpiece that captures the essence of deep connections and reveals the resilience and endurance of love. It is a song that will always hold a special place in my heart, reminding me of the power of love and the beauty that lies within the distance between hearts. (Source comes from The Meaning Behind The Song: 10,000 Miles by Mary Chapin Carpenter - Musician Wages). 

Have a blessed day... Take care and GOD bless...

[MOHLovesAlaska]

Good Wednesday afternoon dear friend... Today we are going to get to know the meaning behind the song Be Good to Yourself (2024 Remaster) by Journey... Enjoy the song as well as the read...

Be Good to Yourself is a classic rock song by the American band Journey. Released in 1986 as a part of their album “Raised on Radio,” this song quickly became a fan favorite and a staple at live performances. With its catchy melody and heartfelt lyrics, Be Good to Yourself holds deeper meanings that resonate with listeners to this day. The song is essentially an anthem of self-empowerment and self-care. It encourages individuals to prioritize their well-being and happiness amidst the challenges and pressures of life. Be Good to Yourself reminds us that it’s important to take care of ourselves mentally, emotionally, and physically, as this ultimately leads to a more fulfilling and balanced life.

Be Good to Yourself was co-written by Jonathan Cain, Steve Perry, and Neal Schon. The inspiration behind the song came from their personal experiences with struggles and the need for self-care. They wanted to create a song that would empower and uplift not only themselves but also their fans. Be Good to Yourself is often regarded as a motivational anthem due to its empowering lyrics and uplifting melody. The song encourages listeners to value themselves and their well-being, reminding them that they deserve happiness and self-care. 

The song received significant commercial success. It reached the 9th position on the U.S. Billboard Hot 100 chart and became one of Journey’s most popular hits. Additionally, it resonated with fans worldwide, solidifying its place as a beloved classic rock song. A particularly memorable performance is their rendition at the 2005 California State Fair, where the crowd enthusiastically sang along to every word, truly capturing the spirit of the song.  While its primary message promotes self-care, listeners may also interpret the song as a call for kindness and compassion towards others or as an anthem for staying true to oneself amidst external pressures. Even decades after its release, Be Good to Yourself continues to resonate with listeners of all ages. In a world where people often neglect their own needs, the song’s reminder to prioritize self-care serves as a timeless message that resonates with individuals seeking balance and fulfillment. Listeners often feel inspired and uplifted when they hear the song, as it serves as a reminder of their strength and the importance of self-compassion. Its appealing melody, relatable lyrics, and overall positive message have made it a beloved song among Journey fans worldwide. (Just remember friend when others are treating you badly and unfairly "ALWAYS" be good to yourself) (Source comes from The Meaning Behind The Song: Be Good to Yourself by Journey - Musician Wages). 

Have a blessed day... Take care and GOD bless...

[MOHLovesAlaska]

Good Thursday morning dear friend, today we are going to take a close look at a very famous composer from the 80's through the 90's, and his name is Trevor Jones... I will add one of my favorite songs he composed for the 1992 film Last Of The Mohicans which starred Daniel Day Louis and Madeline Stow... Enjoy the song as well as the read...

Promentory by Trevor Jones...

Trevor Alfred Charles Jones (born 23 March 1949) is a South African composer of film and television scores. Having spent much of his career in the United Kingdom, Jones has worked on numerous well-known and acclaimed films including Excalibur, Runaway Train, The Dark Crystal, Labyrinth, Mississippi Burning, The Last of the Mohicans, and In the Name of the Father; collaborating with filmmakers like John Boorman, Andrei Konchalovsky, Jim Henson, and Michael Mann. He has composed for numerous films and his music has been critically acclaimed for both its depth and emotion, and he has been nominated for two Golden Globe Awards and three BAFTA Awards for Best Film Music. 

    At the age of six, Jones already had decided to become a film composer. In 1967 he attended the Royal Academy of Music in London with a scholarship and afterwards worked for five years for the BBC on reviews of radio and television music. In 1974 Jones attended the University of York from which he graduated with a master's degree in Film and Media Music. At the National Film and Television School Jones studied for three years on general film-making and film and sound techniques. During this time he wrote the music for twenty-two student projects. In 1981 Jones wrote the score for the Academy Award-winning short movie The Dollar Bottom and for the short Black Angel. Jones was soon after brought to the attention of John Boorman, who was making his Arthurian epic, Excalibur (1981). Although mostly tracked with classical music by Richard Wagner and Carl Orff, Boorman also needed original dramatic cues (as well as period music) for certain scenes. Given Excalibur's modest budget, a "name" composer was out of the question, so Boorman commissioned the up-and-coming young Jones. Excalibur brought Jones to the attention of Jim Henson, who was making The Dark Crystal (1982), and looking for a composer who was young and eager to work in the experimental, free-wheeling way that Henson preferred. The resultant score is an expansive, multi-faceted work, featuring the London Symphony Orchestra, augmented by inventive use of Fairlight and Synclavier synthesizers, as well as period instruments like crumhorn, recorder, and the unusual double-flageolet, which Jones came across by chance in a music store. Jones followed Excalibur with scores for the horror films The Appointment (1981) and The Sender (1982), and the pirate adventure Savage Islands (1983). In 1985 Jones composed one of his best scores, for the acclaimed television production The Last Place on Earth. 

Jones reunited with Henson for the 1986 fantasy musical Labyrinth. David Bowie wrote and performed the vocal tracks for this movie, including the hit "Underground", while Jones provided the dramatic score.

Reflecting that his complex, symphonic score for The Dark Crystal garnered little notice, Jones began to re-think his entire approach to dramatic scoring. Around the mid-80s, Jones' work became more electronic-based (much like fellow film composer Maurice Jarre), eschewing identifiable themes in favor of mood-enhancing synth chords and minimalist patterns. While he wrote a somber, chamber orchestra score in 1988 for Dominick and Eugene (which featured classical guitarist John Williams), scores like Angel Heart (1987), Mississippi Burning (1988), and Sea of Love (1989) are more typical of Jones' output during this period. Jones' return to large-orchestra scoring came with 1990s Arachnophobia, and he provided a light-hearted Georges Delerue-flavoured score for Blame it on the Bellboy in 1992. 

Jones' most popular success came later in 1992 with his score for The Last of the Mohicans, and his soaring, passionate music belies the difficulties that afflicted its creation. Director Michael Mann initially asked Jones to provide an electronic score for the film, but late in the game, it was decided an orchestral score would be more appropriate for this historic epic. Jones hurried to re-fashion the score for orchestra in the limited time left, while the constant re-cutting of the film meant music cues sometimes had to be rewritten several times to keep up with the new timings. Finally, with the release date looming, composer Randy Edelman was called in to score some minor scenes that Jones did not have time to do. Jones and Edelman received co-credit on the film (thus making this very popular and acclaimed score ineligible for Oscar consideration). Although all were displeased with the circumstances, Jones was not fired from the film despite reports to the contrary. Jones became active in television in the 1990s, with orchestral scores for several Hallmark productions, including Gulliver's Travels, Merlin, and Cleopatra. He also provided a fun, jazzy, 1930s-style score for Richard III (1995), which features a swing-band setting of Christopher Marlowe's The Passionate Shepherd to His Love. In 1997 Jones worked for the first time with Ridley Scott, providing an electronic/orchestral/rock-flavoured soundtrack for G.I. Jane (1997).

He is married to Victoria Seale and has four children. His South-African-born uncle, the actor Norman Florence, together with his aunt Rhoda Florence and his cousin Peter Florence, founded the Hay Festival in 1988, which Jones has attended almost every year since its inception. (Source comes from Trevor Jones age, hometown, biography | Last.fm

have a blessed day... Take care and GOD bless...

[MOHLovesAlaska]

Good Saturday morning, dear friend. Today, we will get an in-depth look at a song written by a duet between Linda Ronstadt and Aaron Neville. If you read This Day In The History Of Music I posted last night, you will know the song. Enjoy the song as well as the read.

Don't Know Much (with Aaron Neville) by Linda Ronstadt and Aaron Neville...

The husband-and-wife songwriting team of Barry Mann and Cynthia Weil wrote this with Tom Snow, who is known for his work on music for movies - he wrote the score for Footloose and also the music for the song "Let's Hear It For The Boy," which was used in the movie. The song first appeared on Mann's self-titled album in 1980. Bill Medley recorded it in 1981, and Bette Midler released a version called "All I Need To Know" in 1983. 

Ronstadt's version is a duet with Aaron Neville. They met at the 1984 World's Fair when both were performing there and realized their mutual admiration. When they decided to work together, they picked this song, which was brought to their attention by producer Steve Tyrell. Peter Asher, who was Ronstadt's manager, produced this track. He had a hit called "A World Without Love " as part of the duo Peter & Gordon in 1964. His sister Jane was Paul McCartney's girlfriend. This won a Grammy for Best Vocal Performance by a Pop Group or Duo. Ronstadt and Neville would team up for another Grammy-winning song, "All My Life," which earned the same prize in 1990. Neville and Ronstadt portray in the song's music video a couple still in love in their middle age. Neville told Mojo magazine in February 2013 that despite the rumors, he and Ronstadt were no more than friends. He said: "The guy who directed called us in a room and said, 'Look - if y'all ain't gonna make this thing believable, there ain't no sense in doin' it.' Linda's a pretty woman - it wasn't hard to portray that. But they had all kinda stupid rumors out. None of 'em were true 'cos we're friends. We respected each other. But I look at the video and it looks kinda suspect (laughs)."Linda Ronstadt told The Guardian that she's always loved Aaron Neville's singing. "He has a certain singing style related to French baroque opera, which got imported into the American South in the 18th century," she explained. "His falsetto is very evocative of that, and that – the Creole tradition – was interesting to me."

Have a blessed day, and weekend... Take care and GOD bless...

[MOHLovesAlaska]

Good evening dear friend, tonight we are going to look at one of my favorite music artists who is a Contemporary Gospel singer, Lauren Daigle and her song Love Like This ... Enjoy the song as well as a read...

In this article, we explore the deep meaning behind the beautiful song “Love Like This” by Lauren Daigle. Released on September 7, 2018, as part of her album “Look Up Child,” this song captivates listeners with its heartfelt lyrics and powerful message.

The song begins with the lyrics: “When I am a wasteland
You are the water
When I am the winter
You are the fire
That burns”

These lines evoke imagery of desolation and loneliness, painting a picture of a person who feels lost and depleted. However, the song suggests that in times of despair, there is always hope and love. The metaphorical water and fire represent the transformative power of love, which can quench our emptiness and provide warmth in the coldest of times. 

As the verses progress, the lyrics continue: “When I am a long night
You are the sunrise
When I am a desert
You are the river that turns
To find me”

These lines further emphasize the theme of finding love and light in dark and desolate moments. The metaphorical sunrise symbolizes the dawning of hope, and the river represents the life force that seeks out and restores those who are lost or feeling hopeless. 

In the chorus, Lauren Daigle asks a profound question: “What have I done to deserve love like this?
What have I done to deserve love like this?”

This question expresses a feeling of unworthiness and awe towards the immense love that she perceives to be receiving. It reflects a common sentiment shared by many people who struggle with self-doubt and find it difficult to comprehend the unconditional love and grace that is offered to them. 

The song continues with the lines: “Your voice like a whisper
Breaking the silence
You say there’s a treasure
You look ’til You find it
You search to find me”

These lyrics beautifully convey the idea that love is an active pursuit. The gentle whisper of God’s voice breaks through the silence, leading us to discover the treasure within ourselves. It reinforces the message that love actively seeks us out, even in moments when we feel lost and disconnected. 

The bridge of the song goes: “Hallelujah
Hallelujah
Hallelujah
Hallelujah”

These lines serve as a moment of reflection and gratitude. They invite the listener to celebrate and give thanks for the transformative power of love. Lauren Daigle’s soulful voice and heartfelt lyrics in “Love Like This” resonate deeply with many listeners, including myself. The song touches my heart and reminds me of the love and grace that I have experienced throughout my own journey. During challenging times in my life, I often find solace and hope in the lyrics of this song. It serves as a reminder that even in my darkest moments, there is love and support available to me. It helps me to remember that I am deserving of love, regardless of my perceived shortcomings or mistakes. Moreover, “Love Like This” also inspires me to extend love and compassion to others. It reminds me of the importance of showing kindness and empathy to those around me, as we all deserve to experience the transformative power of love. In conclusion, “Love Like This” by Lauren Daigle is a beautiful and thought-provoking song that explores the depth of love and grace. Its lyrics, accompanied by Daigle’s soulful vocals, evoke strong emotions and encourage listeners to reflect on the love they have received in their lives. It serves as a powerful reminder that love, like water in a wasteland and fire in the winter, has the ability to heal, restore, and bring hope to even the most desolate places of our hearts. (Source comes from The Meaning Behind The Song: Love Like This by Lauren Daigle - Musician Wages)

Have a great night... Take care and GOD bless...

[AlyssaPandora]

This is such a beautiful reflection on a deeply meaningful song, @MOHLovesAlaska.

Lauren Daigle’s  “Love Like This” is truly special, and I love how you’ve highlighted its powerful message.

How do you decide which songs to share?

Do you have a list or are they songs that you've listened to recently? 

Thanks for sharing this with us! 🎶

[MOHLovesAlaska]

@AlyssaPandora Good afternoon dear friend... I love your question, and to be very frank with you the songs that I choose are all chosen by "GUT" feeling... When I decide to sit down to prepare myself to post I start going through the multiple playlists that I have and I begin scrolling through until a song speaks to my heart... Once It stands out then I share it...

  Thank you so much dear friend for your support, your friendly reply, and your question...Have a blessed day... Take care and GOD bless...

[MOHLovesAlaska]

Good evening dear friend, tonight we are going to look at a song that many of you may have never heard of... But after tonight I'm sure it will be a song that you will come to like or perhaps even love...

Angels Above Me by StickFigure... Enjoy the song as well as the read... 

"Angels Above Me" by Stick Figure is a song that revolves around themes of longing, love, and the pursuit of a meaningful connection. The lyrics paint a vivid picture of the singer's journey, both physical and emotional, as they seek a sense of belonging and love. The recurring imagery of a river, the ocean, stars, and angels serves as symbolic elements that deepen the song's meaning. 

The river and road in the lyrics represent the paths we take in life, and the longing to return to the source, symbolized by the ocean, can be interpreted as a yearning for a sense of home and completeness. The river's continuous flow reflects the relentless passage of time and life's journey. The "angels above me" in the song represent a sense of guidance and divine presence. They sing of love, providing comfort and reassurance during the singer's solitary travels. This invokes a feeling of spiritual connection and protection, emphasizing the importance of love in one's life. The singer's dedication to their love interest is evident in lines like "I've been playing my guitar laying underneath the stars for you" and "your love for me is all I need to keep believing." The stars and moon symbolize the enduring nature of their affection, suggesting that their love will shine even in the darkest of times. The refrain, "Oh Lord, please," conveys a sense of vulnerability and dependence, emphasizing the importance of the love the singer is seeking. It's a plea for divine intervention, underscoring the depth of their desire to be reunited with their loved one. Towards the end, the lyrics explore the complexities of life and the quest for meaning. The lines "Are you feeling like I'm feeling? Searching for the meaning of it all" reflect the universal human desire to understand the purpose of existence and to find meaning in our experiences. 

In conclusion, "Angels Above Me" by Stick Figure is a heartfelt song that explores themes of love, longing, and the search for meaning in life. The recurring imagery of the river, ocean, stars, and angels adds depth and symbolism to the lyrics, creating a poignant narrative of a journey filled with hope, devotion, and a desire for connection. The song captures the essence of human longing and the belief in the power of love to guide and sustain us on our life's path. (Source comes from Meaning of Angels Above Me by Stick Figure)

Have a great night friend... Take care and GOD bless...