Fronted by former Escape the Fate front man Ronnie Radke, Falling in Reverse is a post-hardcore band based out of Nevada. The band was formed by Radke while he was serving time in Nevada’s High Desert State Prison for a 2008 parole violation. While imprisoned, Radke recruited guitarists Derek Jones and Jacky Vincent , drummer Ryan Seaman, and bassist Mika Horiuchi to help him realize the musical vision he was creating in his head while behind bars, meeting with his bandmates during visiting hours and spending the rest of his time writing. After serving two-and-a-half years of a four-year sentence, Radke was released in late 2010, and the band set to work on their debut, bringing their driving, melodic sound to life in 2011 with the release of The Drug in Me Is You. Horiuchi left the band and was replaced by Ron Ficarro in early 2012. That year, Radke and the new lineup returned to the studio to record their sophomore release, Fashionably Late. Released in mid-2013, the album saw the band adding hip-hop and electronic elements to their original post-hardcore sound. The album fared well on the charts, but received little support from critics. The band kicked off a tour in support of the effort, which was cut short by the birth of Radke’s son. In early 2014, Falling in Reverse hit the road again, this time with Radke’s former band, Escape the Fate , on the Bury the Hatchet tour. Ficarro parted ways with the band once the tour concluded, his slot filled by Escape the Fate’s Max Green (who ended up leaving the band after just five months, replaced by Zakk Sandler). The band’s third studio long-player, Just Like You (Epitaph ), arrived in early 2015 and fared better with critics. Keeping Fashionably Late experiments with hip-hop on the sidelines, Just Like You saw the band returning to a heavier and more scream-centric focus. They toured for much of the year, parting with longtime guitarist Jacky Vincent that October, and continuing promotion with his replacement Christian Thompson. Their fourth long-player, Coming Home, was released in the spring of 2017. Guitarist Derek Jones died on April 21, 2020; he was 35 years old.
Bay Area trio Green Day stormed the mainstream in the early ’90s with their snarling, snotty brand of three-chord pop-punk, delivered with a heavy dose of anarchic attitude and headline-grabbing antics. Influenced by their late-’70s punk predecessors, they went on to introduce a new, younger generation to the genre. Major-label breakthrough Dookie was the jewel in the crown of their ’90s punk era, a modern classic regarded as one of the most defining albums of the decade. Maturing in the 21st century, the band hit a career peak with 2004’s Grammy-winning international success American Idiot, a socio-political rock opera that ushered in the next stage of their evolution as one of America’s most acclaimed rock bands. In 2015, 25 years after their debut, Green Day were inducted into the Rock & Roll Hall of Fame. Green Day arose from the Northern California underground punk scene. Childhood friends Billie Joe Armstrong (guitar, vocals) and Mike Dirnt (bass) formed their first band, Sweet Children, in Rodeo, California when they were 14. By 1989, the group had added drummer Al Sobrante and changed its name to Green Day. That same year, the band independently released its first EP, 1000 Hours, which was well-received in the California hardcore punk scene. Debut full-length 39/Smooth and the Slappy EP arrived soon after in 1990. By 1991, the group had signed a contract with local independent label Lookout. Combining their first three efforts into one compilation, Green Day issued 1,039/Smoothed Out Slappy Hours for the label. Shortly after its release, they replaced Sobrante with Tre Cool (born Frank Edwin Wright III), who became the band’s permanent drummer. Throughout the early ’90s, Green Day continued to attract a cult following, which only gained strength with the release of their second album, 1992′s Kerplunk. The underground success of Kerplunk led to a wave of interest from major record labels, and the band eventually decided to sign with Reprise. Dookie, Green Day’s major-label debut, was released in the spring of 1994. Thanks to MTV’s support of the initial single “Longview,” Dookie became a major hit. The album continued to gain momentum throughout the summer, with its second single, “Basket Case,” spending five weeks on top of the American modern rock charts. At the end of the summer, the band stole the show at Woodstock ’94, which increased the sales of Dookie. By the time their fourth single, “When I Come Around,” began its seven-week stay at number one on the modern rock charts in early 1995, Dookie had sold over five million copies in the U.S. alone; it would eventually top ten million in America, selling over 15 million copies internationally. Dookie also won the 1994 Grammy for Best Alternative Music Performance. Green Day quickly followed Dookie with Insomniac in the fall of 1995; during the summer, they hit number one again on the modern rock charts with “J.A.R.,” their contribution to the Angus soundtrack. Insomniac performed well initially, entering the U.S. charts at number two and selling over two million copies by the spring of 1996, yet none of its singles — including the radio favorite “Brain Stew/Jaded” — was as popular as those from Dookie. In the spring of 1996, Green Day abruptly canceled a European tour, claiming exhaustion. Following the cancellation, the band spent the rest of the year resting and writing new material before issuing Nimrod in late 1997. Three years later, their long-awaited follow-up, a refreshingly poppy record titled Warning, was released. Another long wait preceded 2004′s American Idiot, an aggressive rock opera that became a surprise success — a chart-topper around the world, a multi-platinum Grammy winner, and easily the best-reviewed album of their career. Green Day reveled in the album’s success, hitting numerous award shows and performing as part of Live 8 in July 2005. That fall brought the release of Bullet in a Bible, a concert album that documented the trio’s expansive Idiot live show. With their popularity and commercial viability restored, Green Day took on several small projects before returning to the studio. They contributed a cover of John Lennon’s “Working Class Hero” to the charity album Instant Karma, appeared in The Simpsons Movie, and recorded an entire album of ’60s-styled rock & roll under the alias of Foxboro Hot Tubs. While presenting an award at the Grammys in early 2009, the band announced the impending release of Green Day’s eighth album, 21st Century Breakdown, which had been recorded with veteran producer Butch Vig. In May of 2009, 21st Century Breakdown was released, picking up where American Idiot left off as another ambitious punk rock opera. The album was a commercial success, selling over 215,000 copies in its first three days of sales. In 2009, American Idiot was adapted for the stage, and the following year, Green Day lent their talents to the original cast recording, combining a driving score with Broadway vocal arrangements. The band released the live Awesome as F**k in 2011. During the summer of 2012, Green Day unveiled their ambitious plans for the fall and winter: they would release not one but three new albums. The records — ¡Uno!, ¡Dos!, ¡Tré! — would appear in September 2012, November 2012, and January 2013, respectively, with each individual bandmember gracing one of the album covers on his own. The first, appropriately called ¡Uno!, was preceded by the disco-rock single “Kill the DJ” and the anthemic arena rocker “Oh Love.” ¡Uno! was set for a splashy release in September 2012, but the weekend prior to its release, Billie Joe Armstrong had an on-stage breakdown during a set Green Day played at the iHeartRadio Music Festival in Las Vegas. Days later, it was announced that Armstrong entered rehab for substance abuse; not long afterward, the band’s touring plans for 2013 were canceled. ¡Dos! arrived as scheduled in November 2012 and ¡Tré! was moved up to a December release. Demolicious , a collection of 18 demos recorded during the making of their ¡Uno! ¡Dos! ¡Tré! trilogy, showed up in time for 2014′s Record Store Day release schedule. In 2015, Green Day were inducted into the Rock & Roll Hall of Fame. Following their induction, producer Rob Cavallo announced that he had started work on a new album with the trio. As they labored on the new record, Green Day released a single called “Xmas Time of the Year” for the 2015 holiday. The raucous “Bang Bang” was the first taste of their 12th record, Revolution Radio , which arrived in October 2016. The album topped the charts around the globe and featured the radio hit “Still Breathing.” A year later, the group released a career-spanning compilation called Greatest Hits: God's Favorite Band , which included the previously unreleased “Back in the USA.” Another retrospective release arrived in 2019, commemorating the band’s 25th anniversary of playing Woodstock ’94. Green Day Live!: Woodstock 1994 received a limited pressing for Record Store Day and debuted at number 156 on the Billboard 200. In early 2020, the trio returned with their 13th studio album Father of All…, also known as “Father of All Mother**ahem**ers.” The album represented a different approach for the band, with a short running time of less than 30 minutes and songs that tended more toward glam, soul, and anthemic rock than Green Day’s usual punk. The album debuted at number four on the Billboard Top 200 charts despite mixed critical reviews. Later that year Armstrong released the covers song compilation No Fun Mondays.
The Offspring’s metal-inflected punk became a popular sensation in 1994, selling over four million albums on an independent record label. While the group’s credentials and approach follow the indie rock tradition of the ’80s, sonically the Offspring sound more like an edgy, hard-driving heavy metal band, with their precise, pulsing power chords and Dexter Holland’s flat vocals. Featuring Holland, guitarist Kevin "Noodles" Wasserman, bassist Greg Kriesel, and drummer Ron Welty, the Offspring released their self-titled debut album in 1989. Four years later, their second album, Ignition, became an underground hit, setting the stage for the across-the-board success of 1994′s Smash. The Nirvana sound-alike “Come Out and Play,” the first single from the album, became an MTV hit in the summer of 1994, which paved the way to radio success. The Offspring were played on both alternative and album rock stations, confirming their broad-based appeal. “Self Esteem,” the second single, followed the same soft verse/loud chorus formula and stayed on the charts nearly twice as long as “Come Out and Play.” The group got offers from major labels, yet chose to stay with Epitaph . While they were able to play arenas in the U.S., their success didn’t translate in foreign countries. Nevertheless, the band’s popularity continued to grow in America, as “Gotta Get Away” became another radio/MTV hit in the beginning of 1995. The Offspring recorded a version of the Damned’s “Smash It Up” for the Batman Forever soundtrack in the summer of that year; it kept the group on the charts as the bandmembers worked on their third album. Following a prolonged bidding war and much soul-searching, the Offspring decided to leave Epitaph Records in 1996 for Columbia Records. The move was particularly controversial within the punk community, and many artists on the Epitaph roster, including Pennywise and owner Brett Gurewitz, criticized the band. After much delay, the Offspring finally released their Columbia debut, Ixnay on the Hombre, in February of 1997. Expectations for the record were high and it did receive good reviews, but Ixnay on the Hombre failed to become a crossover hit on the level of Smash, and the group also lost a significant portion of its hardcore punk audience due to the album’s major-label status. Americana followed in 1998, scoring the hit “Pretty Fly (For a White Guy).” In mid-2000, the Offspring made controversial headlines with their decision to offer Conspiracy of One free of charge via the Internet prior to the initial November release date. Sony Music did not adhere to such a move and threatened a lawsuit; therefore, the band nixed plans to release the album in such a manner. Individual singles, however, were made available on the band’s official website and other music-related sites such as MTV Online. The Offspring returned in 2003 with Splinter. The album was released through Columbia, proving the band’s flouting of the record biz hadn’t soured the major labels. It also featured the single “Hit That,” which returned to the smarmy, pop-referential feel of “Pretty Fly.” The Offspring toured the world in support of Splinter, and in the process they hit nearly every continent at least once. They returned in June 2005 with a greatest-hits set; in addition to their major hits, it included the new track “Can’t Repeat.” In 2008, after several delays, the band returned with its first studio release in four-and-a-half years, releasing the highly anticipated Rise and Fall, Rage and Grace. While touring for their latest effort, the Offspring set to work writing new material and recording when they could. After three years of work, their ninth album, Days Go By, arrived in the summer of 2012.